Pietro Gherardi
服装 / 美术
Piero Gherardi collaborated with Federico Fellini on his major films of the late 1950s and early 1960s. The styles of these films show an infusion of new artistic qualities into the established practices of neorealist films of the late 1940s. In La dolce vita , 8½, and Juliet of the Spirits , there still was the use of some actual locations and some nonprofessional actors, characteristics of the neorealist movement. But Gherardi and Fellini brought certain surrealistic images into their films, such as the opening of La dolce vita , in which a statue of Christ with outstretched arms is suspended from a helicopter. Though such a situation is plausible the image is striking and memorable because it juxtaposes familiar objects with an unusual context.